Here is the newly revised version of my composition Celestial Surroundings.

3 Trumpets in C, 1 Horn in F, 2 Trombones, *Percussion, Pipe Organ

*Optional percussion: The percussion part is optional, and all or some of the part can be played given the availability of the following instruments:

Tubular Bells, Suspended cymbal, Glockenspiel

Flexible instrumentation: Contact info@jenniferbellor.com.

MIDI demo with score of the new version:

Duration: 7 minutes

Celestial Surroundings (2009) was premiered by organist Nicole Marane and brass players from the Atlanta Symphony at Peachtree United Methodist church in Atlanta, GA February 8, 2009.

Here is a recording of the original version from the premiere:

My first multi-screen music video collaboration! Linda Lister and Katie Leung are performing an excerpt of my song “Echo” from my song cycle “A Smile and a Sigh” (the soprano and piano version). They were going to perform it on the April 6th Nextet new music concert here at UNLV, but since the concert was canceled, I figured it would be fun to learn how to create multi-screen music videos. I spent the entire day putting this together, and learned so much! I can’t thank them enough for taking the time to record the excerpt!

I’m excited to share the video recordings of my piece Of Maker and Movement performed by Clocks in Motion percussion quartet. These are videos from their concert March 10th at UNLV on the Nextet new music series concert:

Thanks, Innova Recordings, for sharing this today!
The album is available at Innova

Thanks for the Spotlight, Textura! Here is a link to the Spotlight article:
https://www.textura.org/archives/articles/spotlight_xxvii.htm

Link to Review: Full Article

 

 

 

 

 

 

The NEXTET new music series concert Tuesday March 10th at 6pm will feature the Clocks in Motion percussion quartet. They will be premiering my new piece This We Have Now featuring Matthew Coley on hammered dulcimer. In addition, my piece Of Maker and Movement will be performed alongside works by Marc Mellits, Sergiu Cretu, and Adam Silverman.

“Neither a serialist nor a minimalist, she’s fashioned a personal style that’s easy to embrace; she’s also that rare composer whose music manages to be instantly listenable and emotionally resonant without any compromise to its sophistication.” – textura, Reflections at Dusk

I’m beyond thrilled to share this incredible review that was published today by textura! It goes in depth describing every piece on the album, and even gives a shoutout to my UNLV colleague Shawna Pennock for her “towering sax performance” in Indigo Nocturne, to the Clark High School Symphonic Strings for their performance (“impassioned outpourings”) of High Resolution, and to the Eastman Saxophone Project for playing with “immense feeling,” indicating a “magnificent climax at the eight-minute mark.” The music was described as “mesmerizing,” “lyrical,” and “haunting.”

Textura – Full Review

I am also featured as one of the Spotlight Artists: Spotlight Feature on Textura

Link to article

A Smile and A Sigh (2020)

Song Cycle
Text by Christina Rossetti (1830-1894)
I. A Song of Flight
II. Echo
III. Long These Days That Pass

Duration: 13 minutes
Click HERE to read poems

Multiple Versions:
1) Soprano and piano
2) Two Sopranos and piano and/or piano and mixed ensemble with elastic scoring
3) Soprano and electric guitar
(written for soprano Kristina Bachrach and electric guitarist D.J. Sparr)

Soprano and Piano

Below are DEMO recordings of the songs:

I. A Song of Flight (the song has since been revised/expanded; to see the updated version, please look at the MIDI demo score video under “Two Singers”):

II. Echo

III. Long These Days That Pass

Soprano and Piano Score: $40
PDF Download

$10.00 – Purchase Checkout Added to cart

Two Sopranos and piano and/or piano with mixed ensemble

This version was written for a specific instrumentation for an upcoming concert, but the instrumentation is elastic – I am more than happy to change/add parts to this, if you are interested in the mixed ensemble parts. Nonetheless, this version works fine with two singers and piano.

Audio of MIDI – I. A Song of Flight – one soprano

Here is a MIDI DEMO Score Video (piano part is the same in both vocal score and mixed ensemble):

Audio of MIDI – II. Echo – one soprano

Here is a MIDI DEMO Score Video (piano part is the same in both vocal score and mixed ensemble):

Audio of MIDI – III. Long These Days That Pass – two sopranos

Here is a MIDI DEMO Score Video (piano part is the same in both vocal score and mixed ensemble):

Vocal Score for two sopranos and piano: $40
PDF Download

$40.00 – Purchase Checkout Added to cart

Vocal Score for all three songs plus the two options for third song (either soprano and piano or duet with piano): $50
PDF Download

$15.00 – Purchase Checkout Added to cart

898 Hildegard (2020)

for orchestra

2 Flute, 2 Oboe, 2 Cl in Bb, 2 Horn, 2 Trumpet in Bb, 2 Trombone, 1 Bass Trombone, 1 Tuba, Timpani, Vibraphone, Multi percussion (tubular bells, tam-tam, bass drum, susp. cymbal), harp, full strings

Recording will be available Spring 2020. Here is audio of the MIDI:

898 Hildegard was commissioned by the Genesee Valley Community Orchestra and premiered June 2016 to honor their founder, Sister Virginia Hogan, through the verse and melody of Hildegard von Bingen (1098-1179). The title is borrowed from the name of a planetoid in our solar system, 898 Hildegard, thus connecting civilization’s ancient cosmos with the one that it continues to discover. I used excerpts from her chants “O Vis Eternitatis” and “O Gloriosissimi Lux Vivens Angeli,” in which the text is about eternity and angels. Then, I listened to the recordings of these chants on the Hildegard Society website (www.hildegard-society.org), and transcribed the performances in order to learn how these chants are presented rhythmically. After studying the intricate details of both chants, I then intertwined the original chant material with my own variations throughout, melding it together into a through-composed composition that not only displays my compositional style, but also highlights these beautiful chants by Hildegard von Bingen. It was later revised and premiered by the Las Vegas Philharmonic April 1, 2017 at the Smith Center.

The orchestra version (revised) of 898 Hildegard was written for the University of Rochester Orchestra for premiere April 2020 under the direction of Rachel L. Waddell. Live Recording will be available after the concert.

Duration: 10 Minutes
PDF Conductor Score: $20

$20.00 – Purchase Checkout Added to cart

PDF Score and Parts: $150

$150.00 – Purchase Checkout Added to cart